Welcome to

GILES FOREMAN CENTRE FOR ACTING PARIS

Your acting training shouldn’t look like everyone else’s.

Where the legacy of Drama Centre London meets bespoke, English-first training. It’s instruction that meets you where you are and prepares you for the international stage.

Think the international market isn’t accessible? Think again

Your acting preparation gave you a strong foundation, but to break into the international market you need more than that. You need small-class, method-based training in English and French that helps you grow as an actor and give you the language support to walk into an international audition and nail it. You need GFCA Paris.

The entertainment industry has changed. With the rise of international productions, it’s no longer impossible to break in on the world-wide stage. However, without the right instruction, the international opportunities remain just that – missed opportunities.

Filmmaking scene in a dimly lit room with a director filming a woman sitting on a red velvet chair, a monitor displays her face while crew members work around. A table and a lamp are also visible.
GFCA Paris — Forthcoming Workshops

Le ProgrammeForthcoming workshops — apply before seats close

SCÈNE 01
Liana Nyquist — Head of Movement, Drama Centre

An Actor's Playground

The movement approach that trained Michael Fassbender, Tom Hardy, and Emilia Clarke. Three hands-on, playful days developing physical instinct and character truth through Liana's celebrated 5-part method.

SCÈNE 02
Leigh Kilton-Smith — LA On-Set Acting Coach

Audition Theory: An Intensive

Prepare for auditions like top Hollywood stars with Leigh's original six-step Audition Theory — the art of auditioning without losing your creativity, your self-esteem, or your apartment.

SCÈNE 03
Leigh Kilton-Smith — LA On-Set Acting Coach

Scene Work: Let the Story Emerge

A four-day scene-study intensive centred on presence, active listening, genuine connection with a scene partner, and allowing the story to emerge rather than manufacturing a performance. 28 hours · English · max 15 participants · 620€ private funding.

SCÈNE 04
Dana Fainaru — BAFTA-Winning Writer & Executive Producer

It’s All in the Pitch: A 7-Day Pitching Intensive

Build and deliver a professional pitch from concept, logline, story and deck through live rehearsal, structured feedback and mock-pitch rounds. 50 hours · English · max 15 participants · laptop required · 820€ private funding / 3000€ AFDAS / 1500€ France Travail.

SCÈNE 05
Melanie Reiff — Voice Coach

English Voice: Pronunciation, Rhythm & Flow

A two-day practical voice workshop for actors working in English, covering breath and articulation, Anglo-vowels and consonants, tonic accent, intonation, connected speech, rhythm, scene and monologue application, and a repeatable vocal workout. Price advertised: 250€.


— Christopher Fettes, 2018

“The Giles Foreman Centre for Acting is the natural successor to the (original) Drama Centre London”

Rigorous training for unconventional actors

At Giles Foreman Centre for Acting in Paris, we believe acting is informed by the individual, so the preparation should be too. And, when you’re training in a different language, that personalized attention becomes even more important.

Led by international acting coach Giles Foreman, GFCA is rooted in the celebrated legacy of Drama Centre London and continues methodology developed by pioneers Yat Malmgren and Christopher Fettes. We have been training both actors and directors for over a decade, for not only success on the international stage, but also the skills you need to build a courageous life as an actor. 

We offer a variety of flexible training paths to provide accessible and affordable options for actors, so you get the supportive instruction that you need to succeed.

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COURSES

A man with dark curly hair wearing a black sweater gestures with his right arm extended in a room with a textured ceiling, two ceiling lights, and a white wall. Two other men are in the background, one wearing a beige shirt with tattoos on his arms and the other partially visible.
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